“Raj Nidimoru Marries Samantha Ruth Prabhu in Intimate Temple Wedding at Isha Yoga Centre on December 1, 2025”

Indian filmmaker Raj Nidimoru, best known to global streaming audiences as one half of the creator duo behind The Family Man, is in the spotlight today after marrying South star Samantha Ruth Prabhu in an intimate temple ceremony in Coimbatore, India. Multiple outlets report that the couple tied the knot early on December 1, 2025, at the Linga Bhairavi Temple inside Sadhguru’s Isha Yoga Centre, with roughly 30 close friends and family in attendance.

Photos circulating on Indian entertainment portals show Samantha in a traditional red saree with gold jewelry and flowers in her hair, while Raj Nidimoru opted for a simple white kurta set and beige or cream jacket, underscoring the ceremony’s low-key, spiritual vibe rather than a typical star-studded Bollywood spectacle. Reports describe ring-exchange moments and temple rituals that were later shared in a minimalist Instagram caption from Samantha reading only the date, “01.12.2025.”

For U.S. readers less familiar with him, Nidimoru is widely regarded as a streaming-era visionary. Along with his directing partner Krishna D.K., he has co-created hits such as The Family Man, Guns & Gulaabs and the Indian spin-off Citadel: Honey Bunny. It was on The Family Man 2 that he first worked closely with Samantha, whose breakout turn as a conflicted militant introduced her to a broader global audience. Their collaboration continued on Citadel: Honey Bunny, and Indian press has framed today’s wedding as the culmination of a professional partnership that gradually turned personal.

Coverage in Indian business and entertainment media has also zeroed in on the couple’s combined financial clout. Estimates place Raj Nidimoru’s net worth in the range of ₹83–89 crore (roughly around $10 million), drawn from his work as a writer, director, producer and OTT creator, while Samantha’s reported net worth surpasses ₹100 crore, buoyed by films, premium streaming projects and endorsements.

The wedding instantly dominated timelines across South Asian social media, not only because both are A-list names in India, but also because it marks a new chapter after widely publicized previous relationships. Indian outlets note that the event remained deliberately small, spiritual and media-shy, underscoring how Raj Nidimoru—a filmmaker whose work often dissects modern surveillance and celebrity culture—chose to keep one of his life’s biggest moments firmly offline, even as it became the day’s most talked-about entertainment story.